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The Cinematropolis
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    The Cinematic Schematic

    Sound Trek: The 2018 Best Original Score Special

    January 30, 2018
    2018 Best Original Score
    https://media.blubrry.com/thecinematicschematic/www.thecinematropolis.com/wp-content/uploads/2018/01/Sound-Trek_Best-Original-score.mp3

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    We continue our month of Prestige Films: Past & Present with a special edition of The Cinematic Schematic‘s “Sound Trek” dedicated to the recently announced Oscar nominations for the 2018 Best Original Score.

    Now that the Academy has rolled out this year’s contenders for Best Original Score, Alexandra Bohannon picks her favorite tracks from each of the nominated scores and breaks down what made them the most important of the year. Which of these scores the best stands the best chance at a win? Tune in to get our thoughts and analysis on each nomination in the Best Original Score category!

    Today’s Sound Trek Selections

    Dunkirk – “Supermarine”

    The Last Jedi – “The Sacred Jedi Texts”

    Three Billboards Outside of Ebbing, Missouri – “Billboards on Fire”

    The Shape of Water – “A Princess Without A Voice”

    Phantom Thread – “For the Hungry Boy”

     

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    DunkirkOscarsPhantom ThreadPrestige Films: Past & PresentStar Wars: The Last JediThe Academy AwardsThe Shape of WaterThree Billboards
    Caleb Masters
    Caleb Masters is a film critic, podcast host, and producer with more than fourteen years of experience in media and film criticism, fueled by a lifelong love of pop culture and a passion for media production. As editor-in-chief of The Cinematropolis, he oversees the site’s editorial direction while hosting and producing the podcast The Cinematic Schematic, where he reviews new releases, interviews filmmakers, and explores other prominent voices in entertainment alongside co-host Laron Chapman. He previously served as president of the Oklahoma Film Critics Circle (OFCC) and currently lives in Seattle, Washington with his wife and three dogs. Follow him on Letterboxd or Instagram @CMastersTalk
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