Close Sidebar close
The Cinematropolis
  • Home
  • About Us
    • Write For Us
    • Contact
  • Essays
    • Essays
    • Lists
    • Film Festivals
    • Reel Insights with Laron Chapman
  • The Cinematic Schematic
  • Interviews
  • Planet Thunder
  • Store

Subscribe & Follow

About

  • Write For Us
  • About Us
  • deadCenter 2026

    2026 deadCenter Film Festival: Everything You Need to Know

    June 3, 2026
  • Mandalorian and Grogu

    ‘The Mandalorian and Grogu’ Is Not Quite the Way

    May 27, 2026
  • Mandalorian and Grogu

    ‘The Mandalorian and Grogu’ Brings the TV Experience to IMAX

    May 21, 2026
  • The Invite

    ‘The Invite’ Is Olivia Wilde’s Best Film Yet – SIFF26

    May 20, 2026
  • Devil Wears Prada 2 vs Mortal Kombat II

    The Devil Wears Prada 2 + Mortal Kombat II Double Feature

    May 13, 2026
  • Mortal Kombat II

    ‘Mortal Kombat II’ Redeems a Long Line of Fatalities – Mini-Review

    May 6, 2026
  • Man Eating Pussy

    ‘Man Eating P****’ Prepares to Mesmerize SIFF 2026

    May 5, 2026
  • 2026 Summer Movie

    The 2026 Summer Movie Preview: Is Blockbuster Season Finally Back?

    May 4, 2026
  • The Devil Wears Prada 2

    ‘The Devil Wears Prada 2’ Is Harmless Fun

    April 29, 2026
  • Michael

    ‘Michael’ Builds the Myth by Erasing the Man

    April 29, 2026

Brought to you by Planet Thunder Productions

  • Home
  • About Us
    • Write For Us
    • Contact
  • Essays
    • Essays
    • Lists
    • Film Festivals
    • Reel Insights with Laron Chapman
  • The Cinematic Schematic
  • Interviews
  • Planet Thunder
  • Store
The Cinematropolis
The Cinematropolis
    deadCenter 2020 Essays Featured Film Festivals

    ‘Love and Fury’ Showcases the Brilliance of Indigenous Artists Around the World – dCFF20

    June 19, 2020
    Love and Fury

    In his second documentary feature, Love and Fury, Sterlin Harjo captures the versatility and passion in the world of contemporary Indigenous art. 

    For over a year of filming, Harjo followed Indigenous musicians, poets, dancers, painters, writers and activists to share their creativity and stories of grappling with various issues of identity, the past and the future. 

    Through Harjo’s skillful editing, narratives overlap, and the location shifts from New York to Oklahoma City to Paris and more. Somehow it all manages to feel like an ongoing conversation about art and self.

    Chickasaw musician Micah P. Hinson is weaved throughout the film, appearing on stages in Europe and waxing philosophical about patriarchal society and the struggles he’s faced.

    On another day, as Diné artist and activist Demian DinéYazhi’ receives a home haircut, they discuss the organization they helped found, R.I.S.E. (Radical Indigenous Survivance & Empowerment), and the importance of creating spaces for Native voices. 

    Later, it’s at a R.I.S.E. panel that Cannupa Hanska Luger (who is of Mandan, Hidatsa, Arikara, Lakota and European descent) speaks about the history that fuels Indigenous creatives.

    “I’m an optimist because we survived horrible, horrible shit,” he says. “And I think we have the capacity because we can convert fury into love. Because that’s what we do. Because the milk that’s drawn from converting fury into love is something that got us through lean times.”

    Then, in Tulsa, Yatika Starr Fields (who is of Osage, Cherokee and Muscogee Creek descent) muses on the incredible variety of art within Indigenous communities as he works on a large, abstract piece. 

    He says many people might expect the kind of homogenous art style that is “specifically made for majority-white clients, or clients in the Southwest looking to fill that niche of Southwestern art, which kind of puts us in a box almost.”

    Harjo helps shatter that box. 

    He shows the audience people like Fields and Luger, along with Albuquerque-based artist Haley Greenfeather English (who is of Red Lake and Turtle Mountain Chippewa ancestry), the punk band Weedrat, sound artist Tick-sucK and many more. Those featured have raw, honest discussions about their work and themselves.

    Love and Fury had its U.S. premiere at this year’s deadCenter Film Festival. 

    deadCenter 2020Love and FurySterlin Harjo
    Jo Light
    Jo Light is an Oklahoma-based freelance journalist. She has worked for over five years as a Hollywood story analyst, teaches a college-level media writing class and continues to develop screenplays of her own. Her work is regularly featured at No Film School and The Oklahoma Gazette.
    • deadCenter Executive Director Lance McDaniel Champions Local Film and Arts Community – dCFF20

    • The Cinematropolis deadCenter 2020 Closing Recap

    You Might Also Like

    Sacred Deer

    Saying Thanks to our Sacred Deer, A24 – The Cinematic Schematic #2

    November 29, 2017
    Monsters

    Monsters or Just Misunderstood? 

    December 6, 2017
    Jurassic World: Rebirth

    Jurassic World: Rebirth Review and the Top 5 Movies of 2025 (So Far) – The Cinematic Schematic

    July 9, 2025

    No Comments

Brought to You By

Planet Thunder Productions

2026 - All Rights Reserved.