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    Featured The Cinematic Schematic

    Guillermo del Toro’s Pinocchio – The Cinematic Schematic Review

    December 8, 2022
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    Guillermo del Toro's Pinocchio

    From Rian Johnson’s upcoming Benoit Blanc sequel, Glass Onion, to David Fincher’s adaptation of his late father’s script, Mank; Netflix is known for giving top directors near unprecedented budgets and creative freedom for the awards season films. Oscar-winning genre king Guillermo del Toro is the latest auteur to team with the streamer for his biggest passion project, a stop motion animated feature film adaptation of the puppet turned real boy, Guillermo del Toro’s Pinocchio.

    The Shape of Water and Blade II director has reportedly been trying to make this movie since at least 2008, previously saying “no art form has influenced my life and my work more than animation and no single character in history has had as deep of a personal connection to me as Pinocchio”, and “I’ve wanted to make this movie for as long as I can remember.” While his love for the story is admirable, what left is there to be said about a story that’s already been adapted dozens of times, including once earlier this year at Disney?

    In today’s episode of The Cinematic Schematic, host Caleb Masters is rejoined by Daniel Bokemper and Christopher Shultz to review this fresh take on Pinocchio from the master storyteller. We start the conversation by discussing other Disney fairytales we’d like to see get a more sophisticated adaptation before providing our spoiler-free thoughts on the movie. The discussion concludes with a spoiler-filled look at how the film’s final moments left us with a bittersweet taste.

    Does one of today’s masters of horror deliver a fresh spin on the classic fairy tale or was Guillermo del Toro’s Pinocchio better left to the ideas shelf?


    Special Guests

    Christopher Shultz

    Contributor, The Cinematropolis and Lit Reactor

    Follow Christopher on Instagram @_aghastus_

    Read Christopher Shultz’s history of Cinderella at Lit Reactor


    Daniel Bokemper

    Contributor at The Cinematropolis

    Follow Daniel on Twitter @Daniel_Bokemper

    Read Daniel’s written thoughts on Pinocchio


    About Guillermo del Toro’s Pinocchio

    According to IMDB, Guillermo del Toro’s Pinocchio can be described as:

    A father’s wish magically brings a wooden boy to life in Italy, giving him a chance to care for the child.



    If you want more stories like Guillermo del Toro’s Pinocchio

    Daniel Bokemper Recommends

    Movie – Grave of the Fireflies – Available to buy or rent VOD


    Christopher Shultz Recommends

    Movie – Alice (1988) – Now available on Kanopy


    Caleb Masters Recommends

    TV Anthology Series – Guillermo del Toro’s Cabinet of Curiosities – Now streaming on Netflix


    Follow The Cinematic Schematic Podcast

    Hear all of this and more of our past and future episodes by subscribing to The Cinematic Schematic on your preferred podcast app and leaving us a rating on Apple Podcasts!

    Follow The Cinematic Schematic on Spotify

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    Guillermo Del ToroNetflixPinocchio
    Caleb Masters
    Caleb Masters is a film critic, podcast host, and producer with more than fourteen years of experience in media and film criticism, fueled by a lifelong love of pop culture and a passion for media production. As editor-in-chief of The Cinematropolis, he oversees the site’s editorial direction while hosting and producing the podcast The Cinematic Schematic, where he reviews new releases, interviews filmmakers, and explores other prominent voices in entertainment alongside co-host Laron Chapman. He previously served as president of the Oklahoma Film Critics Circle (OFCC) and currently lives in Seattle, Washington with his wife and three dogs. Follow him on Letterboxd or Instagram @CMastersTalk
    • Why Guillermo del Toro’s Pinocchio is the Director’s Most Quintessential Film Yet

    • Revisiting James Cameron’s Avatar (2009) – The Cinematic Schematic

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