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  • The Odyssey

    ‘The Odyssey’ Review: Is Christopher Nolan’s Epic Worth the Hype?

    July 22, 2026
  • The Odyssey

    ‘The Odyssey’ Is an Epic Cinematic Masterclass

    July 15, 2026
  • Summer 2026 Horror

    ‘Evil Dead Burn’ Joins Triumphantly Traumatizing 2026 Summer Horror Lineup

    July 15, 2026
  • Evil Dead Burn

    ‘Evil Dead Burn’ Is a Maniacally Violent Movie

    July 9, 2026
  • Supergirl

    ‘Supergirl’ Doesn’t Fly High Enough to Sell Audiences on the DCU

    July 1, 2026
  • Supergirl

    ‘Supergirl’ Delivers a “Good Enough” DCU Follow-Up

    June 25, 2026
  • Disclosure Day

    ‘Disclosure Day’ Brings Spielberg’s Lifelong Alien Obsession Full Circle

    June 24, 2026
  • deadCenter Film Festival 2026 Recap

    The Cinematropolis deadCenter 2026 Recap

    June 19, 2026
  • Toy Story 5

    ‘Toy Story 5’ Plays the Emotional Hits in a Remixed Tune

    June 18, 2026
  • Mallory isn't amused with Sam in Mallory's Ghost, which screened at the 2026 deadCenter Film Festival.

    ‘Mallory’s Ghost’ Is an Imaginative and Accessible Meditation on Creativity — dCFF26

    June 13, 2026

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    • Essays
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    • Reel Insights with Laron Chapman
  • The Cinematic Schematic
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The Cinematropolis
The Cinematropolis
Cinematropolis Podcast Featured The Cinematic Schematic
‘The Odyssey’ Review: Is Christopher Nolan’s Epic Worth the Hype?
July 22, 2026

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Cinematropolis Podcast Featured The Cinematic Schematic
‘Evil Dead Burn’ Joins Triumphantly Traumatizing 2026 Summer Horror Lineup
July 15, 2026

Continue Reading

Cinematropolis Podcast Featured The Cinematic Schematic
‘Supergirl’ Doesn’t Fly High Enough to Sell Audiences on the DCU
July 1, 2026

Continue Reading

Cinematropolis Podcast Featured The Cinematic Schematic
‘Disclosure Day’ Brings Spielberg’s Lifelong Alien Obsession Full Circle
June 24, 2026

Continue Reading

    deadCenter 2020 Featured Film Festivals

    The Cinematropolis deadCenter 2020 Closing Recap

    June 22, 2020
    deadCenter 2020
    https://media.blubrry.com/thecinematicschematic/www.thecinematropolis.com/wp-content/uploads/2020/06/deadCenter-Wrap-Up-final_.mp3

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    After 10 days of films streamed at the 2020 deadCenter Film Festival for the event’s 20th anniversary, The Cinematropolis concludes our special coverage with a festival recap discussion between our entire festival team, Jo Light, Daniel Bokemper, Christopher Shultz, and myself. Tune in to the full discussion on today’s episode…

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    deadCenter 2020 Essays Featured Film Festivals

    ‘Love and Fury’ Showcases the Brilliance of Indigenous Artists Around the World – dCFF20

    June 19, 2020
    Love and Fury

    In his second documentary feature, Love and Fury, Sterlin Harjo captures the versatility and passion in the world of contemporary Indigenous art. 

    For over a year of filming, Harjo followed Indigenous musicians, poets, dancers, painters, writers and activists to share their creativity and…

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    deadCenter 2020 Featured Film Festivals Interviews

    deadCenter Executive Director Lance McDaniel Champions Local Film and Arts Community – dCFF20

    June 19, 2020
    Lance McDaniel
    https://media.blubrry.com/thecinematicschematic/www.thecinematropolis.com/wp-content/uploads/2020/06/Lance-McDaniel-dcff20_Final.mp3

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    Special Guest

    Lance McDaniel

    Executive Director, deadCenter

    Director of Send Me Wings


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    deadCenter 2020 Featured Film Festivals Interviews

    Cate Jones Takes Audiences on a Wild Ride in ‘She’s the Eldest’ – dCFF20

    June 18, 2020
    She's the Eldest

    She’s the Eldest is more than a dramedy about three oddball siblings reconnecting in their childhood home. 

    It’s also a mystery—where did their parents vanish to, years before? Are they dead or alive? 

    Later in the film, the story also…

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    deadCenter 2020 Featured Film Festivals Interviews

    Engineering a Virtual Film Festival with Stephen Tyler, deadCenter’s Director of Technology – dCFF20

    June 18, 2020
    Virtual Film Festival
    https://media.blubrry.com/thecinematicschematic/www.thecinematropolis.com/wp-content/uploads/2020/06/Stephen-Tyler_dcff20_Final.mp3

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    LISTEN TO THE FULL INTERVIEW BY PUSHING PLAY ABOVE!


    Special Guest

    Stephen Tyler

    Director of Technology, deadCenter

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    deadCenter 2020 Essays Featured Film Festivals

    ‘Breaking Fast’ Breaks The Typical Hollywood Mold – dCFF20

    June 16, 2020
    Breaking Fast

    One of the greatest aspects of deadCenter is the chance to see narratives from different viewpoints, stories that aren’t situated from the perspective of cis, straight, presumptively Christian white men, which dominates most of mainstream Hollywood’s output. Breaking Fast definitely breaks this mold with a…

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    deadCenter 2020 Featured Film Festivals The Cinematic Schematic

    Charles Elmore Shares the Secrets Behind Directing the Darkly Humorous ‘The Chest’ – dCFF20

    June 16, 2020
    The Chest
    https://media.blubrry.com/thecinematicschematic/www.thecinematropolis.com/wp-content/uploads/2020/06/Charles-Elmore_The-Chest-dcff20_Final.mp3

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    Special Guest

    Charles Elmore

    Director/Producer of “The Chest“


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    deadCenter 2020 Featured Film Festivals The Cinematic Schematic

    Director Sev DeMy Dreams Big with ‘Black Title Here’ – dCFF20

    June 15, 2020
    Black Title Here
    https://media.blubrry.com/thecinematicschematic/www.thecinematropolis.com/wp-content/uploads/2020/06/Black-Title-Here-Sev-interview_Final.mp3

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    Special Guest

    Sev DeMy

    Writer/Director/ Producer of {Black Title Here}

    In this special interview on The Cinematic…

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    deadCenter 2020 Essays Featured

    ‘The Dilemma of Desire’ Champions the Clit — dCFF20

    June 15, 2020
    Dilemma of Desire

    In one scene of Maria Finitzo’s The Dilemma of Desire, Dr. Stacey Dutton examines three contemporary biology textbooks. Two of them make no visual reference to female genitalia, whereas the outlier provides a single, external diagram. Dutton finds it…

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    deadCenter 2020 Featured Film Festivals

    ‘GetAWAY’ Knows The Slasher Genre Well Without Digging Too Deep – dCFF20

    June 15, 2020
    GetAWAY

    With a subgenre like the slasher, it’s especially hard to do anything new, one because just about every plot twist under the sun has been done already, and two, because several of the subgenre’s hallmarks are, for lack of a better term, not very “woke.” Many of…

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