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Adam Wingard’s ‘Onslaught’ is a Fun and Forgettable 90s Throwback
September 3, 2026
Five Movies From Summer 2026 You Probably Missed
September 2, 2026
‘Teenage Sex and Death at Camp Miasma’ Is a Beautiful, Bold Bloody Mess…and That’s a Good Thing
August 26, 2026
The ‘Spider-Man: Brand New Day’ Deep Dive and the State of the MCU
August 12, 2026
‘Moana’ Is an Unnecessary and Unimaginative Derivative Cash Grab
August 10, 2026
A Walk On The (Olivia) Wilde Side of Indie Cinema
July 30, 2026
Spider-Man: Brand New Day Has Its Priorities Right…Until It Doesn’t
July 29, 2026
‘The Odyssey’ Review: Is Christopher Nolan’s Epic Worth the Hype?
July 22, 2026
‘The Odyssey’ Is an Epic Cinematic Masterclass
July 15, 2026
‘Evil Dead Burn’ Joins Triumphantly Traumatizing 2026 Summer Horror Lineup
July 15, 2026

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Cinematropolis Podcast Featured The Cinematic Schematic

Five Movies From Summer 2026 You Probably Missed

September 2, 2026

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Cinematropolis Podcast Featured The Cinematic Schematic

‘Teenage Sex and Death at Camp Miasma’ Is a Beautiful, Bold Bloody Mess…and That’s a Good Thing

August 26, 2026

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Cinematropolis Podcast Featured The Cinematic Schematic

The ‘Spider-Man: Brand New Day’ Deep Dive and the State of the MCU

August 12, 2026

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Cinematropolis Podcast Featured The Cinematic Schematic

‘The Odyssey’ Review: Is Christopher Nolan’s Epic Worth the Hype?

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Mini-Review The Cinematic Schematic

‘Evil Dead Burn’ Is a Maniacally Violent Movie

July 9, 2026

Caleb Masters provides his initial thoughts on the latest entry in the Evil Dead franchise from director Sébastien Vaniček, Evil Dead Burn.

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Cinematropolis Podcast Featured The Cinematic Schematic

‘Supergirl’ Doesn’t Fly High Enough to Sell Audiences on the DCU

July 1, 2026

The Cinematic Schematic hosts Caleb Masters and Laron Chapman are joined by comic book movie experts Jada Merritt and Shawn Curtis to review the DCU's sophomore outing, Supergirl.

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Special Episode The Cinematic Schematic

‘Supergirl’ Delivers a “Good Enough” DCU Follow-Up

June 25, 2026

Caleb Masters reviews the direct follow-up to James Gunn's Superman in the DCU, Supergirl, starring Milly Alcock.

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Cinematropolis Podcast Featured The Cinematic Schematic

‘Disclosure Day’ Brings Spielberg’s Lifelong Alien Obsession Full Circle

June 24, 2026

The Cinematic Schematic hosts Caleb Masters and Laron Chapman return to the normally scheduled programming to review Steven Spielberg's fifth film exploring the mysteries of extraterrestrials, Disclosure Day, with special guest Nick Sanford.

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deadCenter 2026 Film Festivals Special Episode

The Cinematropolis deadCenter 2026 Recap

June 19, 2026

Daniel Bokemper and Caleb Masters sit down to discuss the great movies that played at Oklahoma's biggest film festival in this deadCenter 2026 recap.

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The Cinematic Schematic

‘Toy Story 5’ Plays the Emotional Hits in a Remixed Tune

June 18, 2026

Caleb Masters reviews Pixar's latest sequel in its most iconic franchise, Toy Story 5, ahead of its release on June 19th. Has Pixar delivered another masterpiece?

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deadCenter 2026 Essays Film Festivals

‘Mallory’s Ghost’ Is an Imaginative and Accessible Meditation on Creativity — dCFF26

June 13, 2026

Daniel Bokemper reviews Arabella Oz’s Mallory’s Ghost, a meditative film that screened at deadCenter 2026.

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deadCenter 2026 Essays Film Festivals

deadCenter 2026’s ‘Midnight Shorts’ Deliver an Absurdly Chilling Experience — dCFF26

June 12, 2026

Daniel Bokemper recaps the deadCenter 2026 Midnight Shorts, a block of absurd, provocative and horrifying short films.

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deadCenter 2026 Essays Film Festivals

deadCenter’s ‘Once in a Lifetime Shorts’ Chronicles Living From the Womb to the Tomb — dCFF26

June 11, 2026

Daniel Bokemper recaps the deadCenter 2026 Once in a Lifetime shorts, a powerful collection of seven short films.

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Special Episode The Cinematic Schematic

‘Disclosure Day’: Spielberg is Sharper and More Suspicious Than Ever

June 10, 2026

Caleb Masters provides his initial reaction to Steven Spielberg's newest movie, returning to aliens in 2026, Disclosure Day. What does the elder stateman of cinema still have left to say on the subject?

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