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The Cinematropolis
The Cinematropolis
    Cinematropolis Podcast Featured The Cinematic Schematic

    Zach Cregger’s ‘Resident Evil’ Reimagines A Better Way To Adapt Video Games For the Big Screen

    September 23, 2026
    Zach Cregger's Resident Evil
    https://media.blubrry.com/thecinematicschematic/www.thecinematropolis.com/wp-content/uploads/2026/09/26-35-Resident-Evil_Audio-Only_Enhanced.mp3

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    The Cinematic Schematic heads to Capcom’s infamous Raccoon City to review Zach Cregger’s Resident Evil.


    For Better and Worse, Resident Evil is a Millennial Touchstone Horror Franchise

    There are many entry points into Resident Evil. In its 30-year history, the video game series has had nine (or as many as twelve, depending on who you ask) mainline entries. The series has also had several video game remakes, with more on the way. As millennials may remember, Paul W.S. Anderson also made six films starring Milla Jovovich. Despite being critically unpopular, the saga grossed over a billion dollars. Lastly, a recent reboot, Resident Evil: Welcome to Raccoon City, directed by Johannes Roberts, never quite found an audience.

    The quality hasn’t always been consistent, but the B-movie charm, combined with the thrills of running from infected creatures, has endured and is as popular as ever.


    Zach Cregger’s Resident Evil Presents a New Way to Play on the Big Screen

    Enter: Zach Cregger. Coming off the acclaim and box office success of original horror with Barbarian and Weapons, taking on an established franchise may seem like a strange choice. It may sound like a decision to sell out, but the reality is that Cregger is a big fan of the video game series and made a pitch of his own on his own terms.

    Resident Evil (2026) is Cregger’s reimagining that follows one very average man (Austin Abrams) as he delivers a package in Raccoon City on the night of the T-virus outbreak. His approach to adaptation swaps lore and fan service for an original story that emphasizes the gameplay experience players feel when playing the video games.

    It’s a different way to think about adaptation, and if the current critical reception and box office receipts are any indication, it’s the future.

    Is this take on the classic survival horror actually that good? And what does its success mean for the future of IP-driven movies?


    Meet the Couriers

    The Cinematic Schematic hosts Caleb Masters and Laron Chapman are joined by fellow survivors from Paul W.S. Anderson’s Raccoon City. Adam Courtliff of adamreviewsfilm.com and InSession Film and Jo Light from No Film School and Final Draft join the show to get into the nasty guts of Zach Cregger’s Resident Evil.

    Zach Cregger's Resident Evil
    Left: Caleb Masters (Top) and Laron Chapman(Bottom)
    Right: Adam Courtliff (Top) and Jo Light (Bottom)

    Special Guests

    Jo Light

    No Film School / Final Draft Contributor

    Follow Jo on Letterboxd


    Adam Courtliff

    Adam Courtliff

    adamreviewsfilm.com

    Rotten Tomatoes Certified InSession Film Contributor


    About Resident Evil

    IMDB describes Resident Evil (2026) as:


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    Austin AbramsHorrorResident EvilThe Cinematic SchematicZach CreggerZombie
    Caleb Masters
    Caleb Masters is a film critic, podcast host, and producer with more than fourteen years of experience in media and film criticism, fueled by a lifelong love of pop culture and a passion for media production. As editor-in-chief of The Cinematropolis, he oversees the site’s editorial direction while hosting and producing the podcast The Cinematic Schematic, where he reviews new releases, interviews filmmakers, and explores other prominent voices in entertainment alongside co-host Laron Chapman. He previously served as president of the Oklahoma Film Critics Circle (OFCC) and currently lives in Seattle, Washington with his wife and three dogs. He is a member of the Seattle Film Critics Society. Follow him on Letterboxd or Instagram @CMastersTalk
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