A diabolical James McAvoy is the real MVP. Can he save this American reboot from redundancy?
Director James Watkins (Eden Lake) seems to instinctively understand which aspects of the Danish horror film Speak No Evil (2022) resonate most with audiences. Filtering the same material through an American lens might appear like a shameless cash grab. And, perhaps, a sure-fire recipe for failure. The original is barely two years and I feel like I am still processing my feelings on it despite its supremely disturbing premise and chilling themes. It donned an oppressive bleakness and cold tone designed to numb viewers. Watkins manages to repurpose those themes into a warmer, more palatable package. Simultaneously, he crafts a lean, taut thriller that features four terrific lead performances. Chief among them being a terrifying James McAvoy who relishes every minute of this meaty and menacing role. Aisling Franciosi, Mackenzie Davis, and Scoot McNairy round out the supporting cast with dramatic heft and gravitas.
There are, however, some judicious changes made to the narrative. One notable change in particular will likely divide some viewers. However, in context, I found these alterations to be wise directorial choices. It allows this iteration of the story to stand on its own terms. The final 30-minute stretch of the film is pure terror and an unadulterated rush. It’s a testament to Watkins’s command of building and sustaining tension. This film should not work on paper or principle. Yet it confidently coasts to a victory with steady hands and skill. While it does not exactly scream “essential” it is a gripping, effective, and satisfying “companion” piece to its Danish predecessor. Viewers would be wise not to give this thrilling outing the silent treatment.
Speak No Evil is now available on home video and VOD.
Hear more on Speak No Evil from Laron Chapman and other Cinematropolis contributors on the Cinematic Schematic podcast.
