Close Sidebar close
The Cinematropolis
  • Home
  • About Us
    • Write For Us
    • Contact
  • Essays
    • Essays
    • Lists
    • Film Festivals
    • Reel Insights with Laron Chapman
  • The Cinematic Schematic
  • Interviews
  • Planet Thunder
  • Store

Subscribe & Follow

About

  • Write For Us
  • About Us
  • Wildwood

    ‘Wildwood’ Is the Film LAIKA Was Built to Make

    October 20, 2026
  • You Can See Everything

    ‘You Can See Everything’ Is the Documentary of the Decade

    October 15, 2026
  • The Social Reckoning

    ‘The Social Reckoning’ Is Admirable and Out of Touch

    October 14, 2026
  • Digger Disaster

    Is ‘Digger’ Really A Disaster?

    October 12, 2026
  • 2026 Best PNW Award

    Seattle Film Critics Society Announces 2026 Best Pacific Northwest Film Award Nominees

    October 9, 2026
  • ‘The Social Reckoning’ Trades Incisive Commentary For Woeful Optimism

    October 7, 2026
  • Verity

    ‘Verity’ Is Light, Semi-Trashy Fun

    October 1, 2026
  • Digger

    Digger Review: Stunning Spectacle, Hollow at Heart

    September 30, 2026
  • Primetime

    ‘Primetime’ Is a Fine Debut with an Outstanding Robert Pattinson Performance

    September 24, 2026
  • Zach Cregger's Resident Evil

    Zach Cregger’s ‘Resident Evil’ Reimagines A Better Way To Adapt Video Games For the Big Screen

    September 23, 2026

Brought to you by Planet Thunder Productions

  • Home
  • About Us
    • Write For Us
    • Contact
  • Essays
    • Essays
    • Lists
    • Film Festivals
    • Reel Insights with Laron Chapman
  • The Cinematic Schematic
  • Interviews
  • Planet Thunder
  • Store
The Cinematropolis
The Cinematropolis
    deadCenter 2023 Film Festivals

    Unraveling the Episodic Series Shorts at deadCenter 2023 – dCFF23

    June 15, 2023
    Episodic Shorts

    The Episodic Series Shorts block at deadCenter this year provided a treasure trove of artistic expression, where filmmakers pushed the boundaries of storytelling in bite-sized yet impactful ways. The films included Carly Dolls, H A N G M A N, Mashed, Breadwinners: Choy Division, and Hit Man: “Secrets of Lies.”

    It was great to see some queer representation in this block, with Carly Dolls and Mashed both exploring LGBTQ+ relationships. Carly Dolls was a thesis film with the writer, Lindsay Newland, in attendance. It was obvious where the short’s bubbly energy and youthful premise came from. Newland made several animated Barbie movie references in the Q&A, although unfortunately, I don’t think anyone else knew who Bibble was.

    Mashed showed several brief episodes about a young character struggling with vaginismus (which is essentially an adverse reaction to penetrative sex). This series was grounded, well-performed and unabashedly queer. Screenwriter Madge (who also stars) knows exactly how to tell a creative and emotionally engaging story.

    I’ll admit that Hit Man was the initial draw in the Episodic Series Shorts block line-up. Who doesn’t love Richard Kind as a kind-eyed assassin? But this short was actually stacked with talent, including the likes of Karen Allen, William Sadler and Peter Reigert.

    Unfortunately, the story here was a bit too much to fit into its 20-minute runtime, and much of the dialogue felt too expository and the action too contrived. But writer/director/producer Elias Plagianos clearly knows how to put a project together, and maybe with the flexibility of a feature, the characters and plot would have a better chance to breathe.

    The other major standout in the block was H A N G M A N, which I entered totally blind and found to be a taut and stunning surprise. Starring a stellar group of actors in Peter Stormare, Annabeth Gish and Tracy Upton, writer/director Sam Upton expertly pressure-cooks this thriller about a Texas executioner. I can’t say enough about the writing here—what could have been hackneyed and overdone is instead a nervous, gritty journey that forces you to sit with it as the characters do.

    Breadwinners was a non-fiction breath of fresh air in the block, a docu-series about the New York food scene—but also where that food comes from. The featured episode followed farmer Christina Chan and showcased her journey of growing organic foods that are especially important in Asian American communities. Aptly shot and edited, this will no doubt be important and compelling as a complete series.

    Find more deadCenter 2023 coverage at The Cinematropolis.

    Carly DollsdeadCenter 2023Episodic ShortsHANGMANMashed
    Jo Light
    Jo Light is an Oklahoma-based freelance journalist. She has worked for over five years as a Hollywood story analyst, teaches a college-level media writing class and continues to develop screenplays of her own. Her work is regularly featured at No Film School and The Oklahoma Gazette.
    • ‘Black Barbie: A Documentary’ Celebrates an Icon of Representation – dCFF23

    • ‘Body Electric’ Shines a Light on Universal BDD Experiences From Director’s Own Story – dCFF23

    You Might Also Like

    Life's Ballet

    ‘Life’s Ballet’ Chronicles Oklahoma Dance Educator’s Remarkable Legacy – dCFF25

    June 19, 2025
    oklahoma-made short film

    A Rich Two Blocks Of Oklahoma-Made Short Films At deadCenter 2022 – dCFF22

    June 14, 2022
    Bygone

    The Bygone Is a Neo-Western that Aims High – deadCenter 2019

    June 10, 2019

    No Comments

Brought to You By

Planet Thunder Productions

2026 - All Rights Reserved.