Close Sidebar close
The Cinematropolis
  • Home
  • About Us
    • Write For Us
    • Contact
  • Essays
    • Essays
    • Lists
    • Film Festivals
    • Reel Insights with Laron Chapman
  • The Cinematic Schematic
  • Interviews
  • Planet Thunder
  • Store

Subscribe & Follow

About

  • Write For Us
  • About Us
  • The Drama

    ‘The Drama’ Is a Provocative but Necessary Conversation Starter

    April 15, 2026
  • Super Mario Galaxy

    ‘The Super Mario Galaxy Movie’ Is A Big Nostalgia Sugar Bomb

    April 1, 2026
  • Project Hail Mary

    ‘Project Hail Mary’ Believes There Is Still Hope for Mankind

    March 31, 2026
  • Ready or Not 2: Here I Come

    ‘Ready or Not 2: Here I Come’ Serves Up More Eat-the-Rich Chaos

    March 25, 2026
  • The Thrilling Adventure of Amos Waters

    ‘The Thrilling Adventure of Amos Waters’ Goes to NFFTY26

    March 24, 2026
  • Reminders of Him

    Reminders of Him: Bonus Mini-Review

    March 13, 2026
  • 2026 Oscars Predictions

    The 2026 Oscars Predictions Special

    March 11, 2026
  • Project Hail Mary

    Project Hail Mary Initial Review

    March 10, 2026
  • Scream 7

    ‘Scream 7’ Is a Tired Entry That Plays the Hits

    March 4, 2026
  • How to Make a Killing

    How to Make a Killing: Bonus Mini-Review

    February 19, 2026

Brought to you by Planet Thunder Productions

  • Home
  • About Us
    • Write For Us
    • Contact
  • Essays
    • Essays
    • Lists
    • Film Festivals
    • Reel Insights with Laron Chapman
  • The Cinematic Schematic
  • Interviews
  • Planet Thunder
  • Store
The Cinematropolis
The Cinematropolis
    Featured The Cinematic Schematic

    Guillermo del Toro’s Pinocchio – The Cinematic Schematic Review

    December 8, 2022
    https://media.blubrry.com/thecinematicschematic/www.thecinematropolis.com/wp-content/uploads/2022/12/GDTs-Pinocchio_Final.mp3

    Podcast: Play in new window | Download

    Subscribe: TuneIn | RSS

    Guillermo del Toro's Pinocchio

    From Rian Johnson’s upcoming Benoit Blanc sequel, Glass Onion, to David Fincher’s adaptation of his late father’s script, Mank; Netflix is known for giving top directors near unprecedented budgets and creative freedom for the awards season films. Oscar-winning genre king Guillermo del Toro is the latest auteur to team with the streamer for his biggest passion project, a stop motion animated feature film adaptation of the puppet turned real boy, Guillermo del Toro’s Pinocchio.

    The Shape of Water and Blade II director has reportedly been trying to make this movie since at least 2008, previously saying “no art form has influenced my life and my work more than animation and no single character in history has had as deep of a personal connection to me as Pinocchio”, and “I’ve wanted to make this movie for as long as I can remember.” While his love for the story is admirable, what left is there to be said about a story that’s already been adapted dozens of times, including once earlier this year at Disney?

    In today’s episode of The Cinematic Schematic, host Caleb Masters is rejoined by Daniel Bokemper and Christopher Shultz to review this fresh take on Pinocchio from the master storyteller. We start the conversation by discussing other Disney fairytales we’d like to see get a more sophisticated adaptation before providing our spoiler-free thoughts on the movie. The discussion concludes with a spoiler-filled look at how the film’s final moments left us with a bittersweet taste.

    Does one of today’s masters of horror deliver a fresh spin on the classic fairy tale or was Guillermo del Toro’s Pinocchio better left to the ideas shelf?


    Special Guests

    Christopher Shultz

    Contributor, The Cinematropolis and Lit Reactor

    Follow Christopher on Instagram @_aghastus_

    Read Christopher Shultz’s history of Cinderella at Lit Reactor


    Daniel Bokemper

    Contributor at The Cinematropolis

    Follow Daniel on Twitter @Daniel_Bokemper

    Read Daniel’s written thoughts on Pinocchio


    About Guillermo del Toro’s Pinocchio

    According to IMDB, Guillermo del Toro’s Pinocchio can be described as:

    A father’s wish magically brings a wooden boy to life in Italy, giving him a chance to care for the child.



    If you want more stories like Guillermo del Toro’s Pinocchio

    Daniel Bokemper Recommends

    Movie – Grave of the Fireflies – Available to buy or rent VOD


    Christopher Shultz Recommends

    Movie – Alice (1988) – Now available on Kanopy


    Caleb Masters Recommends

    TV Anthology Series – Guillermo del Toro’s Cabinet of Curiosities – Now streaming on Netflix


    Follow The Cinematic Schematic Podcast

    Hear all of this and more of our past and future episodes by subscribing to The Cinematic Schematic on your preferred podcast app and leaving us a rating on Apple Podcasts!

    Follow The Cinematic Schematic on Spotify

    Like The Cinematropolis on Facebook

    Follow The Cinematropolis on Twitter @thecinematrop

    Guillermo Del ToroNetflixPinocchio
    Caleb Masters
    Caleb Masters is a lifelong film and pop culture enthusiast with more than 10 years experience in writing, podcasting and video production. When he's not running The Cinematropolis or hosting The Cinematic Schematic podcast, Masters serves as an active member of the Oklahoma Film Critic's Circle where he currently serves as Vice President. He also loves video games. Follow him @CMastersTalk on Letterboxd, Instagram, or X.
    • Why Guillermo del Toro’s Pinocchio is the Director’s Most Quintessential Film Yet

    • Revisiting James Cameron’s Avatar (2009) – The Cinematic Schematic

    You Might Also Like

    inception

    Built in Dreams: The Inception 10th Anniversary Special – The Cinematic Schematic

    July 16, 2020
    Lorne Balfe

    Sound Trek Film Composer Spotlight: Lorne Balfe (Mission: Impossible – Fallout)

    December 3, 2018
    Dankmus

    Sound Trek Composer Spotlight: Dankmus

    January 15, 2019

    No Comments

Brought to You By

Planet Thunder Productions

2026 - All Rights Reserved.