Close Sidebar close
The Cinematropolis
  • Home
  • About Us
    • Write For Us
    • Contact
  • Essays
    • Essays
    • Lists
    • Film Festivals
    • Reel Insights with Laron Chapman
  • The Cinematic Schematic
  • Interviews
  • Planet Thunder
  • Store

Subscribe & Follow

About

  • Write For Us
  • About Us
  • Onslaught

    Adam Wingard’s ‘Onslaught’ is a Fun and Forgettable 90s Throwback

    September 3, 2026
  • 5 Films From Summer 2026

    Five Movies From Summer 2026 You Probably Missed

    September 2, 2026
  • Teenage Sex and Death at Camp Miasma

    ‘Teenage Sex and Death at Camp Miasma’ Is a Beautiful, Bold Bloody Mess…and That’s a Good Thing

    August 26, 2026
  • Spider-Man: Brand New Day

    The ‘Spider-Man: Brand New Day’ Deep Dive and the State of the MCU

    August 12, 2026
  • Moana

    ‘Moana’ Is an Unnecessary and Unimaginative Derivative Cash Grab

    August 10, 2026
  • A Walk On The (Olivia) Wilde Side of Indie Cinema

    July 30, 2026
  • Spider-Man: Brand New Day

    Spider-Man: Brand New Day Has Its Priorities Right…Until It Doesn’t

    July 29, 2026
  • The Odyssey

    ‘The Odyssey’ Review: Is Christopher Nolan’s Epic Worth the Hype?

    July 22, 2026
  • The Odyssey

    ‘The Odyssey’ Is an Epic Cinematic Masterclass

    July 15, 2026
  • Summer 2026 Horror

    ‘Evil Dead Burn’ Joins Triumphantly Traumatizing 2026 Summer Horror Lineup

    July 15, 2026

Brought to you by Planet Thunder Productions

  • Home
  • About Us
    • Write For Us
    • Contact
  • Essays
    • Essays
    • Lists
    • Film Festivals
    • Reel Insights with Laron Chapman
  • The Cinematic Schematic
  • Interviews
  • Planet Thunder
  • Store
The Cinematropolis
The Cinematropolis
    Cinematropolis Podcast Featured The Cinematic Schematic

    ‘Kingdom of the Planet of the Apes’ Is a Middling Evolution – The Cinematic Schematic

    May 16, 2024
    Kingdom of the Planet of the Apes
    https://media.blubrry.com/thecinematicschematic/www.thecinematropolis.com/wp-content/uploads/2024/05/24-014-Kingdom-of-the-Planet-of-the-Apes-Review_Final.mp3

    Podcast: Play in new window | Download

    Subscribe: TuneIn | RSS

    The Cinematic Schematic returns to discuss the concept of ee-vo-lution in our review of the latest attempt to reboot one of Hollywood’s most tenured franchises, Kingdom of the Planet of the Apes.

    Have we gone bananas for director Wes Ball’s follow-up to the Andy Serkis starring Odyssey of Caesar?


    The Review’s Kingdom of the Critics

    Hosts Caleb Masters and Laron Chapman complete this week’s panel with returning guest, Chelsea Ratterman, who recently moved from Geek Girl Features to the long-running Oklahoma City podcast, Two Dudes and a Movie. Matt Mungle, tenured film critic at The Entertainment Answer / The Mungle Show, completes the panel in his The Cinematic Schematic debut!


    Left to Right: Laron Chapman(The Cinematropolis, deadCenter), Chelsea Ratterman (Two Dudes and a Movie), Matt Mungle (The Mungle Show / The Entertainment Answer), and Caleb Masters(The Cinematropolis).

    Ice-Breaker Question: What Pre-1980 Film Should Get a 2020s-Style Reboot or Reimagining?

    Time Stamp: 6:28

    To start this conversation, we ask, “What other pre-1980s film should get a 2020s-style reboot or reimagining?”


    Review: Has The Kingdom of the Planet of the Apes Done It Again?

    Time Stamp: 18:08

    The Planet of the Apes franchise is one of Hollywood’s oldest and most enduring with the 2011 reboot, Rise of the Planet of the Apes, being a surprisingly fresh reboot focused on Caesar (Andy Serkis). Kingdom of the Planet of the Apes marks the fourth time the franchise is relaunching itself.

    Can director Wes Ball reinvent it again?

    In our spoiler-free review conversation, we discuss:

    • Our overall thoughts on the movie
    • How well this entry in the series transitions from the Matt Reeves-directed Dawn of the Planet of the Apes and War for the Planet of the Apes
    • Kingdom’s spectacular visual effects
    • Our letter-grade ratings
    • Alternate media recommendations

    Spoiler Discussion: The Mythologization of Revolutionary Leaders – From Hero to Dogmatic Icon

    Time Stamp: 1:01:16

    Kingdom of the Planet of the Apes chooses to jump ahead by 300 years following the death of Caesar. This time jump provides an opportunity to do some interesting worldbuilding. Caesar’s history and victories form the foundation of a belief system that positions him as a Moses or messiah-type figure for the apes. 

    In our spoiler-filled part of the conversation, we cover:

    • How director Wes Ball approaches the deification of Caesar
    • What it means that the role of the human characters is increasingly minimalized
    • Where the 56-year-old Planet of the Apes franchise could go next

    Tune into our full discussion for our verdicts!


    Special Guests


    Matt Mungle

    The Entertainment Answer / The Mungleshow Podcast

    Oklahoma Film Critics Circle and Critics Choice Association Member


    Chelsea Ratterman

    Co-host of Two Dudes and a Movie podcast

    Oklahoma Film Critics Circle Member (Treasurer)

    Follow Chelsea on X @cinephilechels


    About Kingdom of the Planet of the Apes

    According to IMDB, Kingdom of the Planet of the Apes is described as:

    Many years after the reign of Caesar, a young ape goes on a journey that will lead him to question everything he’s been taught about the past and make choices that will define a future for apes and humans alike.


    Follow The Cinematic Schematic Podcast

    Hear all of this and more of our past and future episodes by subscribing to The Cinematic Schematic on your preferred podcast app and leaving us a rating on Apple Podcasts!

    Email Us: thecinematropolis@gmail.com

    Follow The Cinematic Schematic on Spotify

    Like The Cinematropolis on Facebook

    Follow The Cinematropolis on Twitter @thecinematrop

    Kingdom of the Planet of the ApesPlanet of the ApesThe Cinematic SchematicWes Ball
    Caleb Masters
    Caleb Masters is a film critic, podcast host, and producer with more than fourteen years of experience in media and film criticism, fueled by a lifelong love of pop culture and a passion for media production. As editor-in-chief of The Cinematropolis, he oversees the site’s editorial direction while hosting and producing the podcast The Cinematic Schematic, where he reviews new releases, interviews filmmakers, and explores other prominent voices in entertainment alongside co-host Laron Chapman. He previously served as president of the Oklahoma Film Critics Circle (OFCC) and currently lives in Seattle, Washington with his wife and three dogs. Follow him on Letterboxd or Instagram @CMastersTalk
    • ‘The Fall Guy’ Falls Forward to Success – The Cinematic Schematic

    • ‘The First Omen’ Delivers A Devilishly Good Horror Prequel

    You Might Also Like

    I Saw The TV Glow

    “I Saw the TV Glow” Is a Surreal, Haunting Exploration of Adolescence

    May 24, 2024
    Bound

    Bound – The Beginning of the Wachowskis’ 20 Year War on Oppression

    June 2, 2017
    The titular doll leads her entourage in Black Barbie from Lagueria Davis. The film screened at deadCenter film festival 23.

    ‘Black Barbie: A Documentary’ Celebrates an Icon of Representation – dCFF23

    June 14, 2023

    No Comments

Brought to You By

Planet Thunder Productions

2026 - All Rights Reserved.