Close Sidebar close
The Cinematropolis
  • Home
  • About Us
    • Write For Us
    • Contact
  • Essays
    • Essays
    • Lists
    • Film Festivals
    • Reel Insights with Laron Chapman
  • The Cinematic Schematic
  • Interviews
  • Planet Thunder
  • Store

Subscribe & Follow

About

  • Write For Us
  • About Us
  • deadCenter 2026

    2026 deadCenter Film Festival: Everything You Need to Know

    June 3, 2026
  • Mandalorian and Grogu

    ‘The Mandalorian and Grogu’ Is Not Quite the Way

    May 27, 2026
  • Mandalorian and Grogu

    ‘The Mandalorian and Grogu’ Brings the TV Experience to IMAX

    May 21, 2026
  • The Invite

    ‘The Invite’ Is Olivia Wilde’s Best Film Yet – SIFF26

    May 20, 2026
  • Devil Wears Prada 2 vs Mortal Kombat II

    The Devil Wears Prada 2 + Mortal Kombat II Double Feature

    May 13, 2026
  • Mortal Kombat II

    ‘Mortal Kombat II’ Redeems a Long Line of Fatalities – Mini-Review

    May 6, 2026
  • Man Eating Pussy

    ‘Man Eating P****’ Prepares to Mesmerize SIFF 2026

    May 5, 2026
  • 2026 Summer Movie

    The 2026 Summer Movie Preview: Is Blockbuster Season Finally Back?

    May 4, 2026
  • The Devil Wears Prada 2

    ‘The Devil Wears Prada 2’ Is Harmless Fun

    April 29, 2026
  • Michael

    ‘Michael’ Builds the Myth by Erasing the Man

    April 29, 2026

Brought to you by Planet Thunder Productions

  • Home
  • About Us
    • Write For Us
    • Contact
  • Essays
    • Essays
    • Lists
    • Film Festivals
    • Reel Insights with Laron Chapman
  • The Cinematic Schematic
  • Interviews
  • Planet Thunder
  • Store
The Cinematropolis
The Cinematropolis
    deadCenter 2024 Interviews The Cinematic Schematic

    “Anuja” Filmmakers Aim To Inspire Empathy and Raise Awareness For Child Labor Globally

    June 13, 2024
    Anuja
    https://media.blubrry.com/thecinematicschematic/www.thecinematropolis.com/wp-content/uploads/2024/06/24-027-Anuja_Final.mp3

    Podcast: Play in new window | Download

    Subscribe: TuneIn | RSS

    The 2024 deadCenter Film Festival showcased stories from across the globe. Few films demonstrate the power of an important story that generates empathy and awareness more than the short film Anuja. The film follows the story of a nine-year-old orphan living on the streets of Delhi who is offered a rare chance to attend a boarding school that could alter her family’s future.

    deadCenter’s Oscar-qualifying status for short films has put it on the radar of more filmmakers, including writer/director Adam J. Graves and his wife and producer Suchitra Mattai. After submitting Anuja with their partners at Shine Global, the duo accepted the invitation to make their world premiere at Oklahoma’s largest film festival as part of the Humanity Shorts block. It is one of many categories the festival offers dedicated to short stories that are “Tender, hopeful, and deeply empathetic.” Their goal is to raise awareness of the humanitarian issues of child labor (labor that is detrimental to one’s health, development, and education) and inspire children in these situations.

    Graves and Mattai join The Cinematic Schematic to discuss what made them want to tell this story and why understanding the interconnected world we live in related to child labor is important. They also share why they decided to hold the world premiere of Anuja at deadCenter.

    Find more deadCenter 2024 coverage at The Cinematropolis.


    Left to Right: Suchitra Mattai (Producer), Caleb Masters (Podcast Host) and Adam J. Graves (Writer/Director)

    Special Guests

    Adam J. Graves

    Writer/Director


    Suchitra Mattai

    Producer


    About Anuja

    Anuja, an exceptionally bright nine-year-old orphan, has quit school to work alongside her sister Palak (17) at a back-alley garment factory. When Anuja’s former teacher shows up at the factory doors, promising her a rare chance to attend an elite boarding school, she finds herself facing both external hurdles and inner conflict. As the sisters work together to overcome these challenges, we witness their ingenuity and the loving bond between them. But, like Anuja herself, we are left wrestling with a decision that far too many young girls around the globe are forced to make every day.


    Follow The Cinematic Schematic Podcast

    Find more of our past and future episodes by subscribing to The Cinematic Schematic on your preferred podcast app and leaving us a rating on Apple Podcasts!

    Follow The Cinematic Schematic on Spotify

    Like The Cinematropolis on Facebook

    Follow The Cinematropolis on Twitter @thecinematrop

    AnujadeadCenter 2024The Cinematic Schematic
    Caleb Masters
    Caleb Masters is a lifelong film and pop culture enthusiast with more than 10 years experience in writing, podcasting and video production. When he's not running The Cinematropolis or hosting The Cinematic Schematic podcast, Masters serves as an active member of the Oklahoma Film Critic's Circle where he currently serves as Vice President. He also loves video games. Follow him @CMastersTalk on Letterboxd, Instagram, or X.
    • Cricket Is a Beautiful Symphony of Tragedy and Triumph – dCFF24

    • Parsing Tim Travers & the Time Travelers Paradox – dCFF24

    You Might Also Like

    Scream 7

    ‘Scream 7’ Is a Tired Entry That Plays the Hits

    March 4, 2026

    2025 Summer Movie Wrap-Up – The Cinematic Schematic

    August 26, 2025

    Postal Is Bloody Good Fun – deadCenter 2019 [Interview]

    June 13, 2019

    No Comments

Brought to You By

Planet Thunder Productions

2026 - All Rights Reserved.